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Truth, Lies, and Postmodern Possibilities: “Frantz” in Context

Seven years after the Armistice of 1918, Paris-born playwright Maurice Rostand published a three-act play, L’homme qui j’ai tué (The Man I Killed), about a Frenchman seeking forgiveness for killing a German soldier in the trenches of the Great War. Seven years later, Berlin-born … Continue reading

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